Each chapter consists of a thematic essay that ties together the central developments, as well as a case study illustrated with specially commissioned photographs and meticulously detailed 3D re-creations showing the featured site in its original context.

This book looks closely at the work and influences of some of the least studied figures of the modern era: established and less well-known female landscape architects who pursued modernist ideals in their designs. The women discussed in this volume belong to the pioneering first two generations of professional landscape architects and were outstanding in the field. They not only developed notable practices but some also became leaders in landscape architectural education as the first professors in the discipline, or prolific lecturers and authors.

In Between Garden and City, Dorothée Imbert examines the career of Belgian landscape architect Jean Canneel-Claes (1909-1989), firmly establishing his place in the modernist movement. Canneel's theoretical positions and innovative designs sought to align the emergent landscape profession with architecture and urbanism while demonstrating its potential to address the needs of modern society. Imbert examines the social context and the aesthetic and theoretical influences that shaped Canneel's work. She positions him as a major figure at the confluence of art, architecture, and urbanism in the early twentieth century and opens new avenues for understanding the relationship of modernism to gardens, nature, and the city.

People have shaped the landscape around them since prehistoric times, creating places as diverse in form and meaning as Stonehenge, the Forbidden City of Beijing, Versailles, and New York's Central Park. Overflowing with hundreds of plans, drawings, and photographs, many created specially for this book, this volume spans the history of landscape design and reveals a great deal about the development of societies, and how cities, parks, and gardens embody cultural values.

Here, for students and practitioners of landscape architecture, architecture, and planning, is a single resource for seminal theoretical texts in the field. Essential for understanding the specific connections that have been made between landscape and social, cultural, and political structures, Theory in Landscape Architecture reminds readers that the discipline of landscape architecture can be both practical and formally challenging. Covering the past fifty years of theory, this primer makes an important contribution to a student's emerging professional ethics.

Recovering Landscape collects a number of essays that discuss why landscape is gaining increased attention today, and what new possibilities might emerge from this situation. Themes such as reclamation, urbanism, infrastructure, geometry, representation, and temporality are explored in discussions drawn from recent developments not only in the United States but also in the Netherlands, France, India, and Southeast Asia.

One of the trends in twentieth century architecture and planning has been to denigrate and ignore the site, or larger context (both physical and social), surrounding a building or set of buildings. Focusing on Le Corbusier's designs, Site Matters presents that first considered theory and vocabulary for the inevitable reaction against Modernism beginning in the 1960s and swelling through the 1980s as architects and planners alike developed a new appreciation of site, reincorporating the wider context into their plans.

It has become conventional to think of urbanism and landscape as opposing one another--or to think of landscape as merely providing temporary relief from urban life as shaped by buildings and infrastructure. But, driven in part by environmental concerns, landscape has recently emerged as a model and medium for the city, with some theorists arguing that landscape architects are the urbanists of our age. In Landscape as Urbanism, one of the field's pioneers presents a powerful case for rethinking the city through landscape.

Examining our shifting perceptions of nature and place in the context of environmental challenges and how these affect urbanism and architecture, the seventeen essayists in argue for an all-encompassing view of landscape that integrates the scientific, intellectual, aesthetic, and mythic into a new multidisciplinary understanding of the contemporary landscape.

Landscape Architecture Theory re-examines the fundamentals of the field, offering a new approach to landscape design. Students will take away a foundational understanding of the underpinnings of landscape architecture theory, as well as how it can be applied to real-world designs; working professionals will find stimulating insights to infuse their projects with a greater sense of purpose.

Landscape Urbanism and its Discontents is a collection of essays exploring the debate over urban reform, now polarized around the two competing paradigms of Landscape Urbanism and the New Urbanism. Landscape Urbanism is conceived as a more ecologically based approach, while New Urbanism is more concerned with the built form.

Landscape Theory in Design introduces theoretical ideas to students without the use of jargon or an assumption of extensive knowledge in other fields, and in doing so, links these ideas to the processes of design. In five thematic chapters Susan Herrington explains: the theoretic groundings of the theory of philosophy, why it matters to design, an example of the theory in a work of landscape architecture from the twentieth and twenty-first centuries, debates surrounding the theory and primary readings that can be read as companions to her text.